Imagine being Peach
-2
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deren said in comment #2597882:
I thought that was Hishi Amazon.
If anything Amazon may as well be the one trying to feed her the veggies, knowing her.
Kamogawa Delta near the Demachiyanagi Station in Kyoto
https://maps.app.goo.gl/juPeYopvJX1WfcJj9
piespy said in comment #111760:
Stop changing the tags to Kagami. This is clearly Miki, her mother.
bro Miki's got fanarts?
Piroshii said in comment #654927:
I don't think that's urine...
wtf is that liquid then?
Zakzouk said in comment #2592503:
wtf is that liquid then?
Water. What'd you think it was?
Alanis, killed by a sunbather
There's a whole lotta wall of text on this one
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《Notes》
Here I'll write about what I was thinking while making this.
The basic composition seems to be influenced by
'A Hard Day's Night'
'Harry Potter Part 1'
and others.
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00:00:02,700 --> 00:00:05,200
《Description》
Peeks in from the side and looks around.
《Notes》
Here I'll write about what I was thinking while making this.
The basic composition seems to be influenced by
'A Hard Day's Night'
'Harry Potter Part 1'
and others.
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00:00:05,200 --> 00:00:07,700
《Description》
Teto coming with a bag.
《Notes》
The MV was created by Asatsuki Mio.
Blender, a different 3D software from what I explained earlier, was used.
Let me give a brief explanation.
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00:00:07,700 --> 00:00:09,834
《Description》
Checking the seat location
《Notes》
The MV was created by Asatsuki Mio.
Blender, a different 3D software from what I explained earlier, was used.
Let me give a brief explanation.
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00:00:09,834 --> 00:00:12,334
《Description》
Placing the bag on the overhead shelf
《Notes》
Animation Production Process
The train interior and Teto's motions are created in Blender.
Based on that, illustrations are drawn and made into animation.
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00:00:12,334 --> 00:00:17,834
《Description》
Looking out the window, or opening it.
《Notes》
Animation Production Process
The train interior and Teto's motions are created in Blender.
Based on that, illustrations are drawn and made into animation.
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00:00:17,834 --> 00:00:19,800
《Description》
I want to insert a fitting cut.
《Notes》
A vague request, 'a fitting cut.'
Thank you for turning it into a wonderful scene.
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00:00:19,800 --> 00:00:29,718
《Description》
Teto gazing out the window and moving to the beat.
The closest image I had in mind was Lo-Fi Girl.
《Notes》
What is Lo-Fi Girl?
She is the girl from a channel that streams Lo-Fi Hip Hop 24/7.
The original loops her writing in a notebook, but here Teto keeps the beat with her hand.
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《Description》
Teto gazing out the window and moving to the beat.
The closest image I had in mind was Lo-Fi Girl.
《Notes》
The footage seen from the window was filmed on an actual bullet train.
Glad it was a day with beautiful clouds.
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00:00:35,900 --> 00:00:39,300
《Description》
Another Teto appears from the opposite direction (UTAU version)
《Notes》
The footage seen from the window was filmed on an actual bullet train.
Glad it was a day with beautiful clouds.
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00:00:39,300 --> 00:00:41,334
《Description》
Cheerful chattering
《Notes》
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.
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00:00:41,334 --> 00:00:44,000
《Description》
Bad reaction
《Notes》
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.
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00:00:44,000 --> 00:00:45,467
《Description》
Talking more desperately
《Notes》
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.
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00:00:45,467 --> 00:00:46,967
《Description》
Bad reaction
《Notes》
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.
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00:00:46,967 --> 00:00:48,200
《Description》
Hanging the head and covering the face
《Notes》
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.
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00:00:48,200 --> 00:00:49,000
《Description》
Hanging the head and covering the face
background getting darker
《Notes》
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.
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《Description》
Hanging the head and covering the face
background getting darker
《Notes》
This is the scene used for the thumbnail.
When I made the 3D demo, I never imagined this scene would turn into such a wonderful animation.
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《Description》
Looks up to find no one across
《Notes》
This is the most beautiful window view from all the footage I filmed.
The effect of UTAU Teto disappearing was inspired by various works, but the one that comes to mind now is the Mr. Bean movie.
I recently lost a memo of scenes that hit me from various films.
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00:00:59,167 --> 00:01:05,697
《Description》
A cut from outside the window
《Notes》
The camera angle was adjusted upward.
The faint shadows of utility poles and such are a wonderful detail.
※ Some space was left over.
I'll attach the image sent when requesting the jacket art.
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00:01:05,697 --> 00:01:10,467
《Description》
A cut from outside the window
《Notes》
The camera angle was adjusted upward.
The faint shadows of utility poles and such are a wonderful detail.
※ Some space was left over.
I'll attach the image sent when requesting the jacket art.
(Incredible)
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《Description》
A cut from inside the train
(I think there could be a better cut)
《Notes》
No specific idea comes to mind.
At Asatsuki Mio's suggestion, it became a scene of fixing Teto's hair.
A great scene that feels gloomy and serves as a lead-up to the hair-cutting that follows.
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00:01:17,567 --> 00:01:19,300
《Description》
Close-up of the face with only the eyes moving, etc.
《Notes》
No specific idea comes to mind.
At Asatsuki Mio's suggestion, it became a scene of fixing Teto's hair.
A great scene that feels gloomy and serves as a lead-up to the hair-cutting that follows.
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《Description》
Lo-Fi Girl vibes again
《Notes》
At first, I also suggested changing the scenery to night.
However,
· The light coming through is beautiful
· Night footage only exists for Egypt
So it stays daytime in this MV.
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《Description》
Lo-Fi Girl vibes again
《Notes》
About the screen size
As shown in the 3D demo, I originally planned for 16:9.
However, I changed it to 4:3 due to the overall noise texture and how well it fits the frame.
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《Description》
Close-up near the knees
《Notes》
This is the ending.
Following the lyric 'Cut my hair and face forward,' Teto cuts the hair.
In the previous work, it was UTAU Teto who cut the hair.
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《Description》
Close-up near the knees
A depiction of the cut hair falling.
《Notes》
This is the ending.
Following the lyric 'Cut my hair and face forward,' Teto cuts the hair.
In the previous work, it was UTAU Teto who cut the hair.
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《Description》
Close-up of a hand moving to the beat.
《Notes》
This is the ending.
Following the lyric 'Cut my hair and face forward,' Teto cuts the hair.
In the previous work, it was UTAU Teto who cut the hair.
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《Description》
The empty seat across
《Notes》
Thank you for listening to 'Window View.'
Asatsuki Mio, who created the MV
The kind people from various countries who helped with translation
Everyone who watched and commented
Kasane Teto, with a long history and room for interpretation
Thanks to everyone, I was able to bring what was in my head to life.
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00:01:53,700 --> 00:01:58,800
《Description》
Close-up of a hand moving to the beat.
《Notes》
Thank you for listening to 'Window View.'
Asatsuki Mio, who created the MV
The kind people from various countries who helped with translation
Everyone who watched and commented
Kasane Teto, with a long history and room for interpretation
Thanks to everyone, I was able to bring what was in my head to life.
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00:01:58,800 --> 00:02:03,457
《Description》
Credits
《Notes》
Unused materials
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00:02:03,457 --> 00:02:08,500
《Description》
Credits
《Notes》
Unused materials
I stock footage like this that might come in handy someday.
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00:02:08,500 --> 00:02:17,600
《Description》
Credits
《Notes》
Unused materials
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00:02:17,600 --> 00:02:23,233
《Description》
Teto looking up
Both drill twin tails are being cut here
《Notes》
Thank you.
If you have any questions, feel free to reach out via comments, replies, or DM.
The video is 4 min long but the 2 section is placed just right for me to trim it into 2 section so there's that. Anyway here's the subtitle
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Nylon guitar. Faster tempo, higher pitch.
2
00:00:04,713 --> 00:00:09,900
Layering various percussion. Still bossa nova so far.
3
00:00:09,900 --> 00:00:14,912
Adding a danceable rhythm. Better combo than expected.
4
00:00:14,912 --> 00:00:19,767
Cool bass. The basic form of 'Window View' is now complete.
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00:00:20,800 --> 00:00:23,200
Adding sounds to fill the space.
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00:00:23,200 --> 00:00:25,600
Adding underwater-like sounds. I love the tremolo effect.
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00:00:25,600 --> 00:00:28,000
I love music boxes too. Adding one in.
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All sounds mixed together.
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Upper harmony
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Lower harmony
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"Cut my hair and face forward."
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Window View ft. Kasane Teto SV
Production Log
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How to Make a 3D Demo
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I made the demo using Unreal Engine.
A generous software that's free until you earn $1 million in revenue.
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It's originally software for making games, but I used the in-game movie feature to create this video.
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UTAU Teto and SV Teto models are borrowed from VRoid-distributed models.
The models used are listed in the description.
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00:01:18,134 --> 00:01:23,038
I set up the models to move inside Unreal Engine.
Honestly, I'm not an expert. Try searching 'VRoid UE' for more info.
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The train is based on a retro steam train asset.
I removed unnecessary parts and changed the sizes.
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I set up multiple cameras and switched between them.
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Screen capturing instead of rendering.
Added descriptions to each scene in Premiere Pro.
It's done!
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Demo vs. Final Comparison
Mrman0014 said in comment #2593585:
How can people even say shexyo uses AI? I think he just draws to good.
Nowadays it's easy to say that everything is done by AI.
will4bsolute said in comment #2593834:
Nowadays it's easy to say that everything is done by AI.
Paranoia is something, indeed, but training your eye, being familiar with art and AI generated pictures and not be blinded by asses are the keys to spot the artifacts and details.
The hairband pattern is inconsistent here, the flower buttons are poorly generated and hold some fabric that are already blended. Finally the strands of hair on her neck make no sense. I think Shexyo has some control over what he does, hence making it harder to spot mistakes.
Sometimes, there's no effort done in order to hide AI mistakes, like post #11067054 featuring a terrible mess on the top left corner.
Advice: Look for the ears, hair, hands and jewelry.
Anyway, I was disappointed when I noticed his work was AI generated (at least partially). Anyone can be fooled.
Walzy said in comment #2596835:
Paranoia is something, indeed, but training your eye, being familiar with art and AI generated pictures and not be blinded by asses are the keys to spot the artifacts and details.
The hairband pattern is inconsistent here, the flower buttons are poorly generated and hold some fabric that are already blended. Finally the strands of hair on her neck make no sense. I think Shexyo has some control over what he does, hence making it harder to spot mistakes.
Sometimes, there's no effort done in order to hide AI mistakes, like post #11067054 featuring a terrible mess on the top left corner.
Advice: Look for the ears, hair, hands and jewelry.
Anyway, I was disappointed when I noticed his work was AI generated (at least partially). Anyone can be fooled.
I just came to a realization, the fact Shexyo actually knows how to draw and that being the reason these works aren't as chaotic as many others can be for using AI, it almost feels like what hes doing is generating these pieces and just patching up some minor stuff when you would expect it to be the other way around
We've got to a point in which you might as well call the AI-Assisted artworks as Artist-Assisted AIworks
Walzy said in comment #2596835:
Paranoia is something, indeed, but training your eye, being familiar with art and AI generated pictures and not be blinded by asses are the keys to spot the artifacts and details.
The hairband pattern is inconsistent here, the flower buttons are poorly generated and hold some fabric that are already blended. Finally the strands of hair on her neck make no sense. I think Shexyo has some control over what he does, hence making it harder to spot mistakes.
Sometimes, there's no effort done in order to hide AI mistakes, like post #11067054 featuring a terrible mess on the top left corner.
Advice: Look for the ears, hair, hands and jewelry.
Anyway, I was disappointed when I noticed his work was AI generated (at least partially). Anyone can be fooled.
It could have just been human mistake, your assuming AI error without any proof.
Mrman0014 said in comment #2597876:
It could have just been human mistake, your assuming AI error without any proof.
The proof is that humans, especially a supposedly skilled artist, don't make these kinds of errors.
DTA said in comment #2597874:
Bro got potential to be the first senior spring tripple crown in Japan
Hard to say, been hearing word his team wants to run him at the Longswamp again.
WhatWillYouDoWithoutMeOp said in comment #2597841:
I'm guessing "official" vs "how i draw her"
More like: "Most of the Ardan fan arts that is usually based on official (not accurate 3D)" vs inflated nonesense 
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